The resultant crisp, clean timbre produces a clarity of inner voices which may well be lost in enlarged, massed symphonic band performance. Instrumentation calls for twenty-one parts with little or no doubling, a practice that reflects the balance and size utilized by regimental bands in England in the 1920s. Karel Husa: Music for Prague 1968, for concert band – with Eastman Wind EnsembleĪlong with Ralph Vaughan Williams’s Folk Song Suite and Gustav Hoist’s two suites for military band, Toccata Marziale is one of the cornerstones that formed England’s military band tradition in the early twentieth century.Ī descendant of the earlier keyboard toccata, it combines quick staccato movement with a long, gracious melodic line. Sechs Variationen Uber das Lied: “Prinz Eugen, der Edle Ritter”Īaron Copland (1900-1990) Quiet City for Solo Trumpet, English Horn and Wind Ensemble – (Scored by Donald Hunsberger) Konzertante Ouverture: Maestoso Lebhafte Viertel 41 Konzertante Overture – with Eastman Wind Ensemble Paul Hindemith: Konzertmusik for wind orchestra, Op. Variation VII: Arabesque Andante sostenuto Ralph Vaughan Williams: Variations for brass band – with Eastman Wind Ensemble
Ralph Vaughan Williams: Toccata Marziale, for military band in B flat major – with Eastman Wind Ensemble
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